Published: 2014-12-31

Review Article

EDITORIAL

Sudheer Chandra Hajela

5

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American Literary Classics and Hollywood Films

S Ramaswamy

6-9

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Cinema, Literature and Literary Adaptation

Mohammad Tariq

10-16

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Heathcliff in the Post-Racial World: A Transformation of Filmic Identity

Nidhi Singh

17-25

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Framing the Black Experience: The Film Version of Toni Morrison’s Beloved

Rakesh Desai

26-33

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How Does the Baskervilles’ Hound Look?: Adaptation as Critique

K B S Krishna

34-41

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Satyajit Ray’s Pratidwandi (The Adversary): A Re-interpretation of Sunil Gangopadhyay’s Pratidwandi

Shymasree Basu

42-46

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Haider : Textualizing Tragic Flaw in 20th Century Indian Cinema

Ashok Sachdeva

47-50

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Vicissitudes of Times on Visual Media

T Sai Chandra Mouli

51-56

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Contemporary Hindi Films, Indian English Literature and the Consumer Culture

N K Neb

57-62

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Bollywood and Indian Muslim Women: Representation or Mis-representation?

Neha Arora

63-69

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Clashes of Womanhood: Concepts of True Woman and New Woman in Satyajit Ray’s Devi and Mahanagar

Lavanya M, Swati Jadhav, Sachin Jadhav

70-78

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Salman Rushdie’s Midnight’s Children - Adaptation to Script and Deepa Mehta’s Movie-An Artistic Failure

Manisha Sharma (Pandey), Priyanka Pasari

79-82

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Nature Imagery of the Major Romantic Poets, Rajnath

Ashish Kumar Pathak

85-86

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Two Minute Silence, C. L. Khatri

Kalikinkar Pattanayak

86-87

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21 Emotions, Dr. Megha Bharati “Meghall’

N. K. Jain

88-90

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