Published: 2014-12-31

Article

EDITORIAL

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American Literary Classics and Hollywood Films

6-9

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Cinema, Literature and Literary Adaptation

10-16

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Heathcliff in the Post-Racial World: A Transformation of Filmic Identity

17-25

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Framing the Black Experience: The Film Version of Toni Morrison’s Beloved

26-33

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How Does the Baskervilles’ Hound Look?: Adaptation as Critique

34-41

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Satyajit Ray’s Pratidwandi (The Adversary): A Re-interpretation of Sunil Gangopadhyay’s Pratidwandi

42-46

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Haider : Textualizing Tragic Flaw in 20th Century Indian Cinema

47-50

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Vicissitudes of Times on Visual Media

51-56

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Contemporary Hindi Films, Indian English Literature and the Consumer Culture

57-62

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Bollywood and Indian Muslim Women: Representation or Mis-representation?

63-69

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Clashes of Womanhood: Concepts of True Woman and New Woman in Satyajit Ray’s Devi and Mahanagar

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70-78

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Salman Rushdie’s Midnight’s Children - Adaptation to Script and Deepa Mehta’s Movie-An Artistic Failure

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79-82

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Nature Imagery of the Major Romantic Poets, Rajnath

85-86

Two Minute Silence, C. L. Khatri

86-87

21 Emotions, Dr. Megha Bharati “Meghall’

88-90